Osnabrück Summer Institute on the Cultural Study of the Law

As the deadline for applications is quickly approaching (May 15), here is the final program for this year’s Osnabrück Summer Institute on the Cultural Studies of the Law. For one week this August, the OSI will provide young scholars interested in the intersections of Law and the Humanities with the opportunity to have in-depth discussions of current issues in the field, to share their work with their peers as well as experienced researchers, and to meet and exchange ideas with colleagues from around the globe.

The OSI 2017 will feature four core workshops:

1. Claiming Interdisciplinarity in Cultural Legal Studies
   • Conveners: Richard Perry, Peter Schneck
2. Claiming the Past, Belonging for the Future / Immigration, Citizenship, and Property
   • Conveners: Marianne Constable, Leti Volpp
3. Real and Performative Properties
   • Conveners: Beth Piatote, Sabine N. Meyer
4. Cultural Productions, Contentious Properties
   • Conveners: Danilo Mandic, Cristina S. Martinez

For the full program, please visit the program page.

As the fourth workshop of this year’s OSI, we are happy to announce “Cultural Productions, Contentious Properties,” which will be convened by Danilo Mandic and Cristina S. Martinez. This workshop will deal with some of the questions around copying, appropriation, authorship, and copyright that have become particularly prescient in the 21st century.

This workshop explores and challenges the contentious properties that both law and culture inform and perform. Considering different forms of cultural production and expression, it seeks an understanding of property rights, legal fictions, artistic practices of copying and appropriation. Taking as a point of departure Michel Serres’s notion of ‘appropriation through pollution’ and extending it to current case studies we will discuss and examine contentious claims and negotiations. To what extent are we in need to (or, bound to) discuss cultural production through legal structures? The relation between authors and users and the division between private and public maintain an ongoing tension between dichotomous viewpoints manifested in different spheres of cultural production, particularly as these are intensified by the proliferation of digital technology and the challenges it has introduced with regard to production, distribution and use of cultural expression. We will explore the legal concepts of property/ownership/appropriation, and question the extent to which the processes of relations/communication both precede and inform them with an attempt to understand and challenge the dominating and expanding proprietary principles of copyright.